MEGASTRUCTURE is a duet in collaboration with Sarah Baltzinger that draws with curiosity the trajectory of two bodies in constant cohabitation. A piece themed around intimacy whose dance material forms strange and perilous associations. This duet is like a puzzle whose pieces are constantly being dismantled, searched for, tested and reinvented. MEGASTRUCTURE is a choreographic piece without sound composition, without decor, whose natural musicality is generated by the bodies on stage in a percussive energy.

“score” is a piece about human's intervention with nature and how technologies interfere with the natural process of life. This piece for 3 performers uses EMS (Electric Muscle Stimulation) to send out electric impulses to the muscles of the performers which makes them move involuntarily. This enables Isaiah to create a dance that can be choreographed through computantional code. It explores the relationship between the human body and technology - where technologies have been developed to simplify our lives, it has also disconnected humans from their free will and cognitive capacities. The piece aims to ask ethical questions about the usages of technologies, those that outperform and compete against the human body, challenging it’s relevance in a sociopolitical and anthropological context.

In the piece GOATS by French/Luxembourgian duo Sarah Baltzinger + Isaiah Wilson, the performers are immersed in a hallucinatory world, in between pastoral satire and bestiary dream. GOATS unfolds in an absurd, Kafkaesque universe, where Gilles Deleuze’s philosophy of «becoming-animal» serves as a lens to explore contemporary alienation. On stage, the performers embody hybrid beings—half-human, half-goat—reflecting a world in which they can no longer find their place. Their only escape lies in metamorphosis, a shift toward animality that unveils humanity’s desperate search for relief from the relentless cruelty of its surroundings.

Through a parallel universe that oscillates between a dreamworld and the real, Isaiah Wilson evolves in a living room fully submerged under water. A choreographic work for video that questions the human condition in its most visceral and powerful aspects. By performing in apnea, Isaiah pushes his body to the limit to create a dance that edges on the impossible. Submerge is a poetic autobiographic piece that shows Isaiah's state of mind in moments of solitude, vulnerability and change in a setting that borrows artifacts that echo his childhood home.